Spanning 120 years of photographic history, this first authoritative aesthetic study includes 240 examples of art photography from masters such as Steichen and Stieglitz.
In addressing the larger issues of this paper’s subject, the authors describe a Lehman college workshop designed to prepare students for a discussion of Mary Whalen’s “A Night Sonnet So Far.” The authors note the university’s participation in Lincoln Center Institute’s “inquiry-based learning” program and its complementary relationship with their Writing across the Curriculum program (WAC).
Reviewer Roberts cites this unique work for its commentary on “the literary strategizing of photographers” and the role of photography and literature in the development of “modernism.”
Editor Pauli’s 2006 genre survey has been called “the first major history of staged photography.”
Professor Snider views the work of Edward Lear through the lens of Carl Jung. Citing Karl Kerényi’s discussion of the trickster, he notes that Lear used disorder in his nonsense verse to give the Victorian reader an experience of what was not permitted in society within the confines of what was permitted.
Vince Gotera reviews “Woman with a Cubed Head” by Julie Moulds—Mary Whalen’s collaborator on “A Night Sonnet So Far.”
This brief biographical sketch highlights Whalen’s collaboration with poet Julie Moulds. Entitled “A Night Sonnet So Far” and inspired by the limericks of Edward Lear, their chapbook is a collection of work from both artists.
Drawing on Howard Gardner’s view of dance as “kinesthetic intelligence,” Hanna notes that choreographers draw on “musical, visual, verbal and interpersonal intelligences” to create.
This booklet, published by San Francisco performances, sketches out the basics of choreography, which is defined as “the art of ordering space, effort and rhythm.”
Gottschild’s text, which discusses the influence of the black body in dance, also explores Bill T. Jones’s movement vocabulary (which the author qualifies as “extensive”) and the concept of “black space.”
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Spanning 120 years of photographic history, this first authoritative aesthetic study includes 240 examples of art photography from masters such as Steichen and Stieglitz.
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